A Landscape of Metamorphosis: No End to End | Spring & Summer | Spring & Summer
A Landscape of Metamorphosis: No End to End | Spring & Summer
A Landscape of Metamorphosis: No End to End | Spring & Summer
A Landscape of Metamorphosis: No End to End | Spring & Summer
A Landscape of Metamorphosis: No End to End | Spring & Summer
A Landscape of Metamorphosis: No End to End | Spring & Summer
A Landscape of Metamorphosis: No End to End | Spring & Summer
A Landscape of Metamorphosis: No End to End | Spring & Summer
A Landscape of Metamorphosis: No End to End | Spring & Summer
A Landscape of Metamorphosis: No End to End | Spring & Summer
A Landscape of Metamorphosis: No End to End | Spring & Summer

A Landscape of Metamorphosis: No End to End | Spring & Summer

Laser-cut flashspun nonwoven HDPE garden, mixed metal armature, pigments, LED video content, LED platforms

Spectacle at MGM Cotai, Macau

May 20, 2022 - Permanent Installation

 

The installation unfolds like an expansive landscape painting rendered in three dimensional form. Below the luminous atrium in the Spectacle, three white platforms on the ground represent islands covered by sculptural foliage made from white-papercut gardens. Each garden exhibits intricate shapes and patterns of varied vegetations. The surface of the platforms’ floor is embedded with LED panels, and accompanied by smaller digital ponds, they will display animations emulating the rhythm of ocean currents.

 

A Landscape of Metamorphosis: No End to End is deeply influenced by Chinese literati landscape painting and classical garden design. The honeycomb-constructed paper sculptures alternate every two seasons in spring and autumn. This first iteration is comprised of white paper covered by faint coats of iridescent highlights of yellow, pink, green, and orange. The expressive color palette evokes the character of the land reviving in spring with an abundance of flowers nestled in the verdant landscape that thrive until the end of the summer.

 

In addition to the floor installation, three metamorphic butterfly-shaped creatures taking flight from the gardens. Composed through Rorschach image-making of Chinese characters “nothingness” 無, “exhaustive” 窮, and “limit” 盡; yet strung together, the phrase 無窮盡 means “no ends nor limits,” which becomes a mantra for the creative innovation that could be derived from history, nature and our own inner worlds.

 

In this immersive work, Ma addresses the prevalence of the landscape motif in traditional Chinese culture as a device to understand human relationships to their environment. The installation invites the viewer to navigate the fabricated peninsula to meditate on the shifting role of natural ecosystems within contemporary society and the increasing implementation of technology blurring the boundary between the organic and artificial.